For the children of publishing elite, the book deal has become a birthright

This article is from the May/June issue of Radar Magazine. For a risk-free issue, click here.

With a few exceptions (the Brontës, the Amises), there's not much evidence that superior writing ability runs in the family. Still, for the not especially talented children of our publishing elite, the book deal has become a birthright. Below, Radar's roundup of the literary wonder brats who coasted to lucrative book deals with a little help from mom and dad.

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Molly Jong-Fast
Now, even the offspring of steamy sex novelists get to have their overheated scribblings published. At age 18, Erica (Fear of Flying) Jong's daughter Molly sold her pink-sleeved paean to self-indulgence, Normal Girl, to Villard Books. The novel actually features a character who says, "I'm a crazy cocaine addict with a hankering for heroin, but other than that, I'm just a nice Jewish girl from the Upper East Side with Prada shoes."

Blurb from Mom's friend:
"Relish the humor of this generation's new Dorothy Parker." —Kitty
Kelley
The Critics:
"Cartoonish, derivative, and immeasurably too familiar." —Kirkus
"Glib and forced ... Superficial." —Publishers Weekly

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Nick McDonell
At 17, the Harvard-educated son of Sports Illustrated editor Terry McDonell wrote his first middling imitation of Less Than Zero. At 21, he completed another. Both were best-sellers. Both were published by his younger brother's godfather, Grove/Atlantic president Morgan Entrekin.

Blurb from Dad's friend:
"[McDonell is] the real thing ... I'm afraid that he will do for his generation what I did for mine." —Hunter S. Thompson
The critics:
"The Third Brother gropes awkwardly to find its subject matter." —New York Times

Joe McGinniss, Jr.
Morgan Entrekin apparently can't get enough of young Bret Easton Ellis types who just happen to have been sired by his cronies. McGinniss père is a prolific nonfiction author; Junior has given the world a semicoherent meditation on teen hookers in Las Vegas.

Blurb from Dad's friend:
"A gripping literary thriller and an auspicious debut." —George Pelecanos
The critics:
"McGinniss lacks [Bret Easton] Ellis's sly humor, and at times the deliberate flatness and repetition need a good shaking." —New York Times

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Christopher Rice
Just like his mom, Anne Rice, young Christopher writes New Orleans mysteries. The major difference? His books are much, much gayer—in every sense.

Blurb from Mom's friend:
"The name Rice is synonymous with seamless and sensitive prose." —Sandra Brown
The critics:
"[This] earnestly overwritten debut novel flails wildly ... [There is little] doubt why Rice dominates the book's jacket." —Publishers Weekly

This article is from the May/June issue of Radar Magazine. For a risk-free issue, click here.
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